Hans Urs von Balthasar y la música de Mozart
Identifieur interne :
000073 ( PascalFrancis/Curation );
précédent :
000072;
suivant :
000074
Hans Urs von Balthasar y la música de Mozart
Auteurs : Jaime Donoso [
Chili]
Source :
-
Teología y vida [ 0049-3449 ] ; 2009.
RBID : Francis:10-0021059
Descripteurs français
English descriptors
Abstract
The author uses his experience as a musical interpreter as a starting point, and attempts to demonstrate that the explanation of the essence of music, and Mozart's music in particular, is not exhausted by purely musicological analysis. For this purpose the author bases himself on the ideas of von Balthasar as well as the words of Pope Benedict XVI, both deeply fond of Mozart. Their conclusions relate to the idea of a theology of beauty.
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| A08 | 01 | 1 | SPA | @1 Hans Urs von Balthasar y la música de Mozart |
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| A09 | 01 | 1 | SPA | @1 De Medellín a Aparecida. Aportes, desafíos, creatividad, originalidad de una iglesia particular |
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| A11 | 01 | 1 | | @1 DONOSO (Jaime) |
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| A14 | 01 | | | @1 Facultad de Artes Pontificia Universidad Católica @3 CHL @Z 1 aut. |
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| A66 | 01 | | | @0 CHL |
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| A68 | 01 | 1 | ENG | @1 Hans Urs von Balthasar and the Music of Mozart |
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| A69 | 01 | 1 | ENG | @1 From Medellín to Aparecida. Contributions, challenges, creativity, the originality of a local church |
|---|
| A99 | | | | @0 ref. et notes dissem. |
|---|
| C01 | 01 | | ENG | @0 The author uses his experience as a musical interpreter as a starting point, and attempts to demonstrate that the explanation of the essence of music, and Mozart's music in particular, is not exhausted by purely musicological analysis. For this purpose the author bases himself on the ideas of von Balthasar as well as the words of Pope Benedict XVI, both deeply fond of Mozart. Their conclusions relate to the idea of a theology of beauty. |
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| C03 | 01 | R | FRE | @0 Musique @5 01 |
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| C03 | 01 | R | ENG | @0 Music @5 01 |
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| C03 | 02 | R | FRE | @0 Théologie @5 02 |
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| C03 | 02 | R | ENG | @0 Theology @5 02 |
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| C03 | 03 | R | FRE | @0 Beauté @5 03 |
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| C03 | 03 | R | ENG | @0 Beauty @5 03 |
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| C03 | 04 | R | FRE | @0 Balthasar (H. U. von) @2 NF @2 FA @5 04 |
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| C03 | 04 | R | ENG | @0 Balthasar (H. U. von) @2 NF @2 FA @5 04 |
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| C03 | 05 | R | FRE | @0 Création @5 05 |
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| C03 | 05 | R | ENG | @0 Creation @5 05 |
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| C03 | 06 | R | FRE | @0 Grâce @5 06 |
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| C03 | 06 | R | ENG | @0 Grace @5 06 |
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| C03 | 07 | R | FRE | @0 Mozart (W. A.) @4 INC @5 31 |
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| N21 | | | | @1 011 |
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| pR |
| A30 | 01 | 1 | SPA | @1 De Medellín a Aparecida. Aportes, desafíos, creatividad, originalidad de una iglesia particular. Seminario interno de profesores 2008 @3 Medellín COL @4 2008-04 |
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Le document en format XML
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</keywords><front><div type="abstract" xml:lang="en">The author uses his experience as a musical interpreter as a starting point, and attempts to demonstrate that the explanation of the essence of music, and Mozart's music in particular, is not exhausted by purely musicological analysis. For this purpose the author bases himself on the ideas of von Balthasar as well as the words of Pope Benedict XVI, both deeply fond of Mozart. Their conclusions relate to the idea of a theology of beauty.</div>
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